Conventionally the act of pilgrimage has been attached to religion, and for thousands of years pilgrims have walked across Europe to demonstrate a devotion to God. Through the perseverance of walking long distances and enduring months of discomfort, pilgrims would hope to be purified. The last 30 years have seen a revival of interest in long distance walking, and during the spring of 2016 I set out with my tent across the network of pilgrimage routes through France and Spain, to experience this increasingly popular phenomenon. I walked continuously for three months, beginning at Le Puy en Velay in Eastern France, and ending 1700km later at the village of Muxia on the West coast of Spain.
Along the way I built up transient relationships with other pilgrims. Almost all of those I encountered were not walking for religious purposes, but were walking to overcome a major event in their life, or to find something that was missing from their lives. I discovered that through separating from all that is familiar, walking helped people to find liberty from their complex identities and social obligations. The path gave them a common goal and the landscape was a geographical space for reflection and change.
As part of my on-going inquiry into the relationship between walking and photography, Pilgrim is a portrayal of a long distance walk. The photographs I made were either of those I walked with, or were when I stopped to consider the subtle changes that were taking place in the landscape and within myself. The narrative not only depicts a walk from start to finish, but intends to explore how walking can incite change, and aid us to come to terms with our life circumstances.